Adam Perez

For anyone familiar with the interdisciplinary conversation in theology and the arts, Jeremy Begbie’s name is well known. Begbie has been arguing for music – and arts more broadly – as sites for serious theological engagement for some time (his first major monograph, Theology, Music, and Time, is now a landmark) and has pioneered an approach to doing theology that goes far beyond superficial attempts to get “behind the art” with questions of authorial intent. Begbie’s approach is, as he…