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Dies Irae

MARCH 2007: REVIEW Dies Irae by Roy Anker The new note in films, both last year and this, seems to be dystopic. In a marked shift of mood, filmmakers from the United States and abroad are following the premise that things broadly taken are grim and are going south, fast. Even Rocky, that emblem of triumph against all odds, in his latest incarnation (Rocky Balboa) finds his life shambling, his money gone, his wife dead, his son far distant, and…
Rocky Balboa
March 16, 2007