Paul Schrader’s First Reformed: The Prodigal Returns?
A life in the arts can be a tenuous, reckless, and holy pilgrimage. Creating one’s best work near the end of a career, especially following
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A life in the arts can be a tenuous, reckless, and holy pilgrimage. Creating one’s best work near the end of a career, especially following
The unexpected news that Netflix had produced and released 13 episodes of Daredevil filled me with a mixture of nostalgic hope and earned skepticism. I
NOVEMBER 2008: REVIEW by Robert Hubbard Shakespeare’s “difficult” plays fall into two categories: alluring messes and rigorous masterpieces. On the last day of May 2008,
“Tyrone Guthrie must be mad.” So whispered the English theater kingdom when, in 1963, the esteemed sweet prince of the London stage founded a theater
“Before acting in this play I philosophically didn’t have a problem with the death penalty. What I’ve learned is that the problems lie in implementation.”
Witnessing an actor play C.S. Lewis on stage hardly strikes the contemporary viewer as a novel experience. For over a decade, various versions of William
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